Chronicles 4.26.21: Hope

This post is part of ARC’s Chronicles of Change and Hope series. This is a curated project for sharing stories, songs, prayers, poems, images, or insights that capture a moment of connection or new life. It is a place to share small acts of resistance or transformation you want others to know about. Rights remain with the contributors. To contribute to Chronicles, read more here.

Today’s contribution is a poem. The work comes to us from one of ARC’s community members, Grant Swanson.


Hope [Inspired by Rabia’s ‘The Way the Forest Shelters’]

I have confidence
in God’s miraculous love
amidst this time of terror –
through signs and symbols
from Mother Earth.

In the serotinous cones of the lodgepole pines –
resins dripping and releasing seeds
after consumed by rampant wildfires –
bringing a new generation of life
amidst death.

In the interdependent relationships of plants –
the trinity of beans, corn, and squash –
Holy Sisters, mutually sharing life-giving
minerals, nitrogen, fertilizer, and water –
amidst times of depletion and scarcity.

In the ecstatic ecstasy of human touch and companionship –
the wells of physical interconnection
and soul-expanding depths of conversation
amidst the valleys of shadow and despair.

There is a tremendous constancy of
Possibility,
hope and New Life,
all plainly modeled for us from
our Holy Mother, Earth –
and embedded in our incarnate bodies –
if we only listen
and follow.

Chronicles 10.16.20: How to Listen for What Comes Next

This post is part of ARC’s Chronicles of Change and Hope series. This is a curated project for sharing stories, songs, prayers, poems, images, or insights that capture a moment of connection or new life. It is a place to share small acts of resistance or transformation you want others to know about. Rights remain with the contributors. To contribute to Chronicles, read more here.

Today’s contribution is a prose poem. The work comes to us from one of ARC’s two Co-Executive Directors, Callid Keefe-Perry. Asked why he wanted to share this piece at this time, Callid shared the following:

I wrote this piece years ago as a kind of reflective and poetic prayer manual. Given current world events and the constant siren of noise, I recently returned to it again, thinking about how important it is to find ways to turn toward life without trying to hide from the realities of pain, hurt, and violence. I feel that balance is an increasingly challenging one to walk. On one side there is the danger of becoming so immersed in news of the horrid that it pulls you into a desert of depression and critical cynicism. On the other, one risks floating off into a fluffy kind of naïveté where the world is seen through rose-colored glasses and real harms and social wounds are skipped over and ignored for want of confirmation that everything is going to be alright in the end. What I always aspire to do — and frequently fail at — is to stay aware enough of my surroundings that I stay engaged, but no so much that I am pressed into inaction by the weight of it all. This piece is small reminder to myself to help stay in that mindset of the space between.


How to Listen for What Comes Next

1.

You will hear it on the third day of waking to a dream where everything was 
right, it was clear what your next step was, and you knew just what to do
with that long weekend you still have open. You know, the space
you want to use for something, but you’ve been pulling back from
since you couldn’t think of anything just right to do with the time
you have. And you want a perfect fit. Yes, the hackneyed hand 
in glove, and your favorite jacket, but also the first hug 
and conversation with your dear friend long-missed and still 
loved, the joy of becoming a parent, or grandparent, or auntie, 
the smell of cocoa when you are ten and snow has called you all day. 
The smell of July and nothing but basketball until Monday. Greens 
and warm bread. Being seen as you are. Attention given to small joys. 

2.

When the memory of that fit lingers call it back to you daily.
Ask it what it needs. What would it like? Are there any special
purple socks it prefers? A particular bakery that is the spot?
Make that memory a friend. The dream wants you as a conspirator 
and confidant. She wants to share with you the shapes of what can be,
contours of priority and passion that lead out to a place where things are 
the way they should be. Even before your friendship is cemented,
tell others about this new relationship. How there’s a certain something
that captivates you even though you can’t put your finger on it.
Talk about what it is like to learn about what you’ve always wanted
and rarely known. Always known and rarely felt. Listen to others
and what they say to you when you tell them how good the news is.
Ask if they’ve been hearing it too. They’ll have stories of their own. 

3.

Eat food that nourishes your body and spirit. Eat it with those you love. 
Raise your voices in laughter, love, frustration, and — as needed — rage.
If you cannot get to any of the tables that make you feel whole and home,
or you need to turn away and walk toward new ideas of holiness and hearth, 
do whatever you need to find a place where you feel like you are becoming 
more of what you are supposed to be. Learn what the space feels like inside.
Move your body as needed, in dance, in love, out into the street, into hills
where tall trees call you down into the earth. The details are less important 
than the reminder that your flesh and bone is worthy of love and attention.
Scream or and cry or stand silently. Spin under the stars, lose yourself in 
a crowd, make something small, or bury yourself in soil until you touch 
the roots. Remember that you can be part of what will come next.

  

4.

There will be moments when you will want a life you do not have. 
Days that call not for ease or lushness, but ask you to do the hard thing.
You will wonder if someone like you should be living like that. On 
the edge of change. Rough. Sometimes that is the life you will need 
to be building. Stone on stone, walls rising slowly and made to last. 
Good work. Calluses. Heft. Other days you will not want rest 
because you know how much is left to be done. You will remember 
the faces that have been lost and rage at those who seed loss. 
And on some of those days you will need to sleep. To watch
your favorite film again, mouthing the lines along with each actor 
just to feel like you know where you are. And I don’t know when 
those days will come.  Or what other walks you will take. Or stumbles. 
So listen. Remember the things that call you and stay calling. 
Know that you can be called, then called away, and then back.
That your respite is sometimes shorter than you would have liked. 
Longer. Far longer.
Too short. 

5.

...and work together. 
Resist together. 
Rest together.
Dream.
Listen.  
Build.
Listen again.

Chronicles 9.25.20: A Plain Man’s Take on Theology

This post is part of ARC’s Chronicles of Change and Hope series. This is a curated project for sharing stories, songs, prayers, poems, images, or insights that capture a moment of connection or new life. It is a place to share small acts of resistance or transformation you want others to know about. Rights remain with the contributors. To contribute to Chronicles, read more here.


Today’s contribution is a piece of poetry. The work comes to us from ARC member Karel Reus, who wrote to us from Melbourne, Australia and shared the piece with us as part of a status update. Recently, Karel said we could share this piece with you all and we’re excited to do so here. Speaking about this piece among others he shared, Karel said the following:

At 82 I embark yet again on one of my periodic life-reviews. In retirement I look back on latter-day pursuits: photography, the writing of poetry, a brief return to pastoral ministry (abandoned in 1980) along with a re-exploration of theologies long put aside. The poetry developed in step with the honing of photographic skills and the realisation that these two arts shared an interest in images. The theology kept making return appearances, and insistently laid claim to shaping my images, be they visual or verbal. My major preoccupation in recent years has been with the poetic, which I have come to understand as infusing the crafting of images in visual and verbal terms.

The poetry is pretty much a late interest. It has been encouraged by poet-friends. I have not been much interested in the formal aspects of poetry. I wouldn’t know an iambic pentameter, or a sonnet, if I tripped across one in the street. What I wrote, from the beginning, was free-form and it’s content was determined by experience and a toying with truth. The theology crept in, unbidden, almost unnoticed.


A Plain Man’s Take on Theology (Chalcedon 451 CE)

There’s a meeting up the street.
A bunch of churchy heavies
pomping about in fancy dress,
making points
in language unfamiliar
to me.

Maybe I’ll pop in,
or maybe not;
there are bouncers at the door,
and no seats for plebs like me.

I’ve got a mate that did get in
because he carried baggage.
He heard a crazy argument
about Jesus being a godly man
and being a manly god -
at the same time
would you believe?
If that’s what an education does for you
I’ll give it a miss.

They do this with straight faces,
would you believe?
There’s a bunch that will look you in the eye
and tell you there is no difference between
one and three,
and will tell you
that your salvation
depends on it.
“Trust me” they say,
but they ask questions I have never asked,
and don’t begin to know the questions
I hold dear.

“Get a life” I say.
“It’s all codswallop” to me,
and I don’t give a rat’s arse
for your wordplay.
Tell me something that matters;
about my work and my death,
about my trembling hand,
about my sick child,
about my crook back,
about paying my rent,
about flood and drought,
about helping and being helped,
about diabetes,
about aching joints.
Tell me Jesus is a friend.
Tell me I will find God within me.
Tell me my sins are not dead ends.
Tell me my life has meaning.
Tell me my church is for me and mine,
and let those gladiators
who brandish words like weapons
leave us, and pursue their power games elsewhere.


Chronicles 9.12.20: Questions in a Time of COVID

This post is part of ARC’s Chronicles of Change and Hope series. This is a curated project for sharing stories, songs, prayers, poems, images, or insights that capture a moment of connection or new life. It is a place to share small acts of resistance or transformation you want others to know about. Rights remain with the contributors. To contribute to Chronicles, read more here.


Today’s contribution is a piece of spoken word art. The performance comes to us from ARC member Joe Davis, who debuted the piece with us in April as part of an Insights interview he did with us. Recently, Joe said we could share this piece with you all and we’re excited to do so here.

Joe is a nationally-touring artist, educator, and speaker based in Minneapolis, MN. His work employs poetry, music, theater, and dance to shape culture. He is the Founder and Director of multimedia production company, The New Renaissance, the frontman of emerging soul funk band, The Poetic Diaspora, and qualified administrator of the Intercultural Development Inventory. Joe teaches online course about faith leadership, race, anti-racism, and transformation that can found here and here.


Questions in a Time of COVID


Chronicles 8.28.20: Speak, Lord, Your Servant is Listening

This post is part of ARC’s Chronicles of Change and Hope series. This is a curated project for sharing stories, songs, prayers, poems, images, or insights that capture a moment of connection or new life. It is a place to share small acts of resistance or transformation you want others to know about. Rights remain with the contributors. To contribute to Chronicles, read more here.


Today’s contribution is a combination of an image and a reflection. The image comes to us from Margaret (Peggy) Adams Parker, who shares her work through our connection with the Society for the Arts in Religious and Theological Studies. The reflection is from Paul K.-K. Cho.

Peggy is an artist (a sculptor and printmaker) and Adjunct Instructor (in Religion and the Visual Arts) at Virginia Theological Seminary. Her commissioned sculptures include Mary as Prophet, for Virginia Theological Seminary, and Reconciliation, for Duke Divinity School. She is the author, with Katherine Sonderegger, of Praying the Stations of the Cross - Finding Hope in a Weary Land (Eerdmans, 2019) and, with Ellen F. Davis, of Who are you, my daughter? Reading Ruth through Image and Text (Westminster John Know, 2003) More about Peggy is available here.

Paul is Associate Professor of Hebrew Bible at Wesley Theological Seminary, Washington, D.C. He is the author of Myth, History, and Metaphor in the Hebrew Bible (Cambridge University Press, 2019), and his articles have been published in Biblical Interpretation, Catholic Biblical Quarterly, and Journal of Biblical Literature.


Speak, Lord, Your Servant is Listening

Etching with Aquatint, 10” x 7”

 
 

Reflecting on this image, Paul writes:

One Morning with the Boy Samuel in the Temple

Early one morning, an hour or two before the sun has risen, I find myself staring at an etching of the boy Samuel in the Temple. And a haunting feeling comes.

The Temple appears haunted by a presence. Whether that presence is in the darkened entrance in the background or the spotlight in the foreground, I cannot quite tell. Nor can I tell whether the presence is coming or going—coming to awaken the sleeping boy or leading him away.

The boy is sitting in the emptied space, which is aglow with a spectral presence. The voiceless call of the divine. He hesitates; he has been rudely awakened by the light that a moment ago had penetrated into his sleeping eyes. He retreats because he cannot yet quite see; but he is readying himself to step out into the light.

In light of the historical moment in which we now live—under the monumental failure of leadership (and did not Samuel appear on the scene after the failure of Israelite judges and amidst a crisis in the priesthood?), the ferocious and silent spread of disease, and the awakening of consciousnesses everywhere to the injustices in which we live—I feel, as perhaps many others feel, like this boy: having heard the call of the divine but not yet certain that it is the divine that has called, or how or to whom we must respond.

But the boy has heard; and the boy knows; and the boy will act. This gives me hope. This leaves me in fear and trembling.

For now the haunting presence shines into my study, and I am momentarily blinded.